A jeweller setting a diamond into a platinum ring at the bench

Our story

Jewellery meant to outlast the hands that made it

We began with a stubborn idea: that a diamond should be judged on its fire, not on how far it travelled to reach you. Everything since has followed from that.

Explore the collection
A jeweller's bench at first light, tools laid out and a ring in a clamp

How we began

A workbench, and a difficult question

White Moon started in a single rented room with one bench, one loupe and a question nobody in the trade wanted to answer plainly: if two stones are identical under every instrument we own, why should one cost four times the other?

We could not make that maths work honestly. So we stopped trying to defend it and built the house we wished had existed — one where the stone is graded by someone with nothing to gain, the price is arithmetic rather than theatre, and the ring is finished by a person whose name we know.

  1. One bench, 2019A rented room, a secondhand loupe, and far too much certainty.
  2. The first hundredMade to order, one at a time, mostly for people who knew us.
  3. An atelierSetters, polishers and a gemmologist who tells us when we are wrong.
See how a ring is made

What we hold to

Three things we refuse to compromise

  • Craftsmanship

    Every piece is finished by hand at our own bench. No piece leaves without a setter and a polisher putting their initials against it.

  • Authenticity

    Every stone is graded by IGI or GIA — never by us. We have an interest in the answer, so we are not the ones who should be giving it.

  • Client first

    Resizing, retipping and rhodium for life. A ring worn every day will need care, and that care should not arrive with an invoice.

The making

From sketch to sparkle

Six stages, four to six weeks, and one person accountable at each step. Nothing is outsourced past the point where we can still answer for it.

  1. The idea

    A conversation, a budget, and what the piece has to mean.

  2. Design

    Hand sketches first, then CAD you can turn over before we cut metal.

  3. Stone selection

    We shortlist three; you choose. Certificates before commitment.

  4. Handcrafting

    Cast, filed, set and polished at our bench, never on a line.

  5. Inspection

    Ten-point check under magnification. Anything short goes back.

  6. Delivery

    Insured both ways, with its certificate and a sizing appointment.

The atelier

Inside our workshop

Craftspeople at benches in a modern jewellery workshop
A craftsman polishing a gold band by hand

Five stages happen within twenty feet of each other. That closeness is deliberate — a setter can walk a stone to the gemmologist and ask.

  • CAD designModelled to the tenth of a millimetre, approved before casting.
  • Diamond matchingSide stones matched for colour and cut, not just carat.
  • Hand settingEach prong raised, seated and burnished by hand under a scope.
  • PolishThree grades of finish, the last one entirely by feel.
  • Final QCWeighed, measured, re-certified against its paperwork.

The difference

What you are actually paying for

  • No middlemen

    We buy rough relationships, not inventory from three houses down the chain. Each hop is a margin you would otherwise fund.

  • Premium materials

    Solid recycled gold and platinum. No plating, no filled shanks, no hollowed galleries to save a gram.

  • Transparent pricing

    Stone, metal, labour. We will break down any quote to those three numbers if you ask.

  • Lifetime support

    Resizing, retipping and refinishing for as long as you own the piece.

  • Expert craftsmanship

    Our senior setter has been at the bench for thirty-one years. That is not a marketing line, it is a payroll record.

  • Worldwide shipping

    Fully insured to over twenty countries, with customs handled before it ships.

Materials

What we work in

We are not partisan. Each of these is the right answer to a different question — and we will tell you which question you are actually asking.

  • Loose lab-grown brilliant diamonds on ivory silk

    Lab-grown diamonds

    The same carbon lattice, the same hardness, the same fire — formed in weeks rather than aeons. Chosen by most of our clients, and by us.

    • Identical to mined under any loupe
    • IGI or GIA certified
    • Typically 60–70% less per carat
    • Traceable to the reactor
    Shop lab-grown
  • A natural diamond held in tweezers against warm stone

    Natural diamonds

    For those who want the geology as part of the story. We source only from suppliers who can name the mine, not merely the country.

    • Kimberley Process compliant
    • Mine-of-origin on request
    • GIA certified
    • Hand-selected for cut, not size
    Shop natural
  • Loose coloured gemstones sorted in paper parcels

    Coloured gemstones

    Sapphire, emerald, ruby and the quieter stones between. Colour is graded by eye and by daylight — the only two instruments that matter here.

    • Untreated wherever possible
    • Matched in daylight, not under lamps
    • Set in solid gold or platinum
    • Bespoke commissions welcome
    Shop gemstones

Our promise

Held to account

1000+
Pieces made to order
50+
Hands at the bench
20+
Countries served
Lifetime
Care, at no charge

The atelier

The people behind the work

Small on purpose. Everyone here touches the pieces, and everyone here will speak to a client.

  • Elena Marchetti

    Elena Marchetti

    Founder

    Asked the difficult question, then had to answer it.

  • Tomas Reid

    Tomas Reid

    Master goldsmith

    Thirty-one years at the bench. Sets everything above two carats.

  • Priya Raman

    Priya Raman

    Gemmologist

    Grades every stone before it is offered, and says no often.

  • Jonas Vogel

    Jonas Vogel

    Design lead

    Sketches first, CAD second. Believes the pencil catches mistakes earlier.

  • Amara Osei

    Amara Osei

    Client care

    Handles sizing, timelines and the occasional secret proposal.

An ivory ring box with certificate and satin ribbon on linen

Responsibility

The only thing we leave in the ground

Lab-grown diamonds let us sidestep the worst of an old industry's arithmetic, but that alone is not a environmental policy. So we made the rest of it boring and measurable.

Recycled metal, named suppliers, packaging that composts, and a workshop that runs on a renewable tariff. We would rather publish four dull commitments we keep than one grand claim we cannot evidence.

  1. Ethical sourcingNamed suppliers only. Kimberley compliance is the floor, not the goal.
  2. Recycled metalGold and platinum refined from reclaimed stock, not newly mined.
  3. Plastic-free packagingPaper, board and cotton ribbon. The box is meant to be kept.

Assurances

The unglamorous guarantees

  • Certified stones

    Independent IGI or GIA paperwork ships with every diamond.

  • Secure payment

    Encrypted checkout. We never see or store a card number.

  • Insured shipping

    Fully covered in both directions, signature on delivery.

  • Lifetime maintenance

    Cleaning, polishing and rhodium for as long as you wear it.

  • Thirty-day returns

    Unworn pieces, no reason required, refunded in full.

  • A person to call

    One named contact from first sketch to final fitting.

Behind the scenes

The unposed hours

A brilliant-cut diamond throwing fire on a dark surface

Begin

Ready to find your forever piece?

Browse what we have made, or sit down with us — in the showroom or over a call — and we will design something that does not yet exist.

White Moon

Grown by light. Finished by hand.

Made to order in solid recycled gold and platinum, set with independently certified stones, and cared for as long as you wear it.